Author Archives: gallerymanager

Black Cloud Prism | Zipporah Camille Thompson

Zipporah Camille Thompson: Black Cloud Prism

October 2,2018
By Dinah McClintock

Zipporah Camille Thompson’s Black Cloud Prism [September 7–October 20, 2018] at Whitespace in Atlanta fuses millennial tech-savvy with ancient cultural practices to invest mundane materials with “sympathetic magic,” defined by Merriam-Webster as “magic based on the assumption that a person or thing can be supernaturally affected through its name or an object representing it.”

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Installation image of Black Cloud Prism by Zipporah Camille Thompson

Review: Zipporah Camille Thompson and Mary Stuart Hall explore memory and identity at whitespace

September 18,2018
By Muriel Vega

When Zipporah Camille Thompson last showed at Whitespace in 2016 with Dark of the Moon, her work evoked an air of mystery and the unknown. The use of soft textiles contrasting against black paint evoked a sense of darkness, as if mirroring the undiscovered, dark corners of the universe. With her new show, Black Cloud Prism at Whitespace through October 20, the darkness has started to dissipate. Thompson’s work seems to have undergone a metamorphosis as she merges her customary techniques into more cohesive pieces, balancing the former use of objects and textiles with new, lighter hues and photographs.

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Zipporah Camille Thompson, Summoning the Storm, 2018

The Creatives | Ruth Dusseault

Audio Q&A: Ruth Dusseault documents off-grid millennials in “The Creatives”

August 2,2018
By Amy Kiley

Atlanta-based photographer and filmmaker Ruth Dusseault has traveled throughout North America documenting young people who live in communal groups outside societal structures and norms. She brings her findings to the public in a collection of photographs, shorts films and other media that reflect her background as both an artist and a journalist.

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Ruth Dusseault, Adam and Eve, North Carolina, 2015 (30

Review: Modern hippie movement the focus of Atlanta photographer’s show

August 7,2018
By Felicia Feaster

Atlanta-based artist Ruth Dusseault has spent the past several years documenting some current strains of the counterculture across the country, and people united by their desire to drop out of mainstream life.

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“Adam and Eve, Skill Sharing Festival, North Carolina” is featured in Atlanta artist Ruth Dusseault’s solo exhibition “The Creatives” at Inman Park’s Whitespace Gallery. CONTRIBUTED BY WHITESPACE GALLERY Photo: For the AJC
Review: Modern hippie movement the focus of Atlanta photographer’s show

Short Shorts 2018 – CALL FOR ARTISTS

Short Shorts 2018 – CALL FOR ARTISTS

Deadline: July 22,2018
Submit on or
Curated by Didi Dunphy
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“We seek short films and video works (no more than 5 minutes) from authors/artists that explore and challenge ideas presented in this prompt, an investigation at revealing what is hidden, unraveling the distraction designed to confuse, un-muddying the smoke and mirrors.
We encourage submissions from a plurality of viewpoints, methods and forms, from artists, documentarians, students, citizens and amateurs alike.”


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Short Shorts 2018 - CALL FOR ARTISTS

Event: Art Over Dinner ft. Didi Dunphy with Whitespace Gallery

Art Over Dinner ft. Didi Dunphy with Whitespace Gallery

July 29,2018
Art Farm at Serenbe
Hosted by Art Farm at Serenbe
View more Didi Dunphy

Art Over Dinner is a series of intimate gatherings with artists and the organizations that support their work. We collaborate with the chefs at HomespunATL and local farmers to bring a seasonal meal that showcases winemakers and brewers, and invite our guest artists to spark the conversation at one long farm table on the outdoor deck of The Art Farm at Serenbe.

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Art Over Dinner ft. Didi Dunphy with Whitespace Gallery

Won’t Lovers Revolt Now | Curated by THE FUEL AND LUMBER COMPANY in partnership with AIR Serenbe

Review: “Won’t Lovers Revolt Now” at Whitespace offers timely but uneven critique of Trump-era nationalism

July 11,2018
By Logan Lockner

The tense days leading up to the opening of Won’t Lovers Revolt Now at Whitespace on June 22 seemed to amplify the urgency of the question in the group exhibition’s title. Curated by The Fuel and Lumber Company, the Birmingham-based curatorial project of artist couple Amy Pleasant and Pete Schulte, the show would have still offered potent critiques of nationalism and closed borders even if its opening hadn’t followed on the heels of two weeks of disturbing headlines describing migrant children being forcibly separated from their parents at the US-Mexico border.

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Las Hermanas Iglesias, WON’T LOVERS REVOLT NOW

Eric Mack Interview with VoyageATL

Check out Eric Mack’s Artwork

July 10,2018
View more Eric Mack

“As a southern youth in the 1980ʼs, total enjoyment came from making, constructing, and cultivating resourceful ways of visualizing my thoughts.

After graduating high school, I had the opportunity to attend the Atlanta College of Art, and I moved to Atlanta from Charleston, SC in 1994. Seven months after graduating from ACA, I had my first solo exhibition at Gallery Domo in the spring of 1999, I received a reception from the public and critics alike.”

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Check out Eric Mack's Art