Zipporah Camille Thompson: Black Cloud Prism
By Dinah McClintock
Zipporah Camille Thompson’s Black Cloud Prism [September 7–October 20, 2018] at Whitespace in Atlanta fuses millennial tech-savvy with ancient cultural practices to invest mundane materials with “sympathetic magic,” defined by Merriam-Webster as “magic based on the assumption that a person or thing can be supernaturally affected through its name or an object representing it.”
Review: Zipporah Camille Thompson and Mary Stuart Hall explore memory and identity at whitespace
By Muriel Vega
When Zipporah Camille Thompson last showed at Whitespace in 2016 with Dark of the Moon, her work evoked an air of mystery and the unknown. The use of soft textiles contrasting against black paint evoked a sense of darkness, as if mirroring the undiscovered, dark corners of the universe. With her new show, Black Cloud Prism at Whitespace through October 20, the darkness has started to dissipate. Thompson’s work seems to have undergone a metamorphosis as she merges her customary techniques into more cohesive pieces, balancing the former use of objects and textiles with new, lighter hues and photographs.