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Zipporah Camille Thompson: Black Cloud Prism

October 2,2018
artpapers.org
By Dinah McClintock

Zipporah Camille Thompson’s Black Cloud Prism [September 7–October 20, 2018] at Whitespace in Atlanta fuses millennial tech-savvy with ancient cultural practices to invest mundane materials with “sympathetic magic,” defined by Merriam-Webster as “magic based on the assumption that a person or thing can be supernaturally affected through its name or an object representing it.”

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Review: Zipporah Camille Thompson and Mary Stuart Hall explore memory and identity at whitespace

September 18,2018
ArtsAtl.com
By Muriel Vega

When Zipporah Camille Thompson last showed at Whitespace in 2016 with Dark of the Moon, her work evoked an air of mystery and the unknown. The use of soft textiles contrasting against black paint evoked a sense of darkness, as if mirroring the undiscovered, dark corners of the universe. With her new show, Black Cloud Prism at Whitespace through October 20, the darkness has started to dissipate. Thompson’s work seems to have undergone a metamorphosis as she merges her customary techniques into more cohesive pieces, balancing the former use of objects and textiles with new, lighter hues and photographs.

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The Art of the Party

November 26,2018
Atlanta Magazine’s Home
By Annette Joseph

My dear friend Liz Lapidus, whose public relations firm represents some of the city’s top restaurants and creatives, has a knack for inviting all the right people to just the right venue. The dinner she hosted one fall evening in the leafy courtyard of Susan Bridges’s Inman Park gallery, Whitespace, was no di erent. There, her intimate group of eight gathered to celebrate Birmingham-based artist Amy Pleasant’s show Writing Pictures.

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Photography by Gregory Miller

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Audio Q&A: Ruth Dusseault documents off-grid millennials in “The Creatives”

August 2,2018
ArtsAtl.com
By Amy Kiley

Atlanta-based photographer and filmmaker Ruth Dusseault has traveled throughout North America documenting young people who live in communal groups outside societal structures and norms. She brings her findings to the public in a collection of photographs, shorts films and other media that reflect her background as both an artist and a journalist.

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Review: Modern hippie movement the focus of Atlanta photographer’s show

August 7,2018
AJC.com
By Felicia Feaster

Atlanta-based artist Ruth Dusseault has spent the past several years documenting some current strains of the counterculture across the country, and people united by their desire to drop out of mainstream life.

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WE RIDE THE MARTA BUS

July 25,2018
ArtPapers.org

WE RIDE THE MARTA BUS is a 30 minute nonlinear film, and the moving image component of an ART PAPERS commission that first appeared in the July/August 2016 print issue. The film fans across the Metro Atlanta map into six vignettes that can be viewed in any order, and each one visits a different bus line.

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Short Shorts 2018 – CALL FOR ARTISTS

Deadline: July 22,2018
Submit on FilmFreeway.com or festhome.com
Curated by Didi Dunphy
View more Didi Dunphy

“We seek short films and video works (no more than 5 minutes) from authors/artists that explore and challenge ideas presented in this prompt, an investigation at revealing what is hidden, unraveling the distraction designed to confuse, un-muddying the smoke and mirrors.
We encourage submissions from a plurality of viewpoints, methods and forms, from artists, documentarians, students, citizens and amateurs alike.”

Submit

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Art Over Dinner ft. Didi Dunphy with Whitespace Gallery

July 29,2018
Art Farm at Serenbe
Hosted by Art Farm at Serenbe
View more Didi Dunphy

Art Over Dinner is a series of intimate gatherings with artists and the organizations that support their work. We collaborate with the chefs at HomespunATL and local farmers to bring a seasonal meal that showcases winemakers and brewers, and invite our guest artists to spark the conversation at one long farm table on the outdoor deck of The Art Farm at Serenbe.

Get Tickets

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Review: “Won’t Lovers Revolt Now” at Whitespace offers timely but uneven critique of Trump-era nationalism

July 11,2018
ArtsAtl.com
By Logan Lockner

The tense days leading up to the opening of Won’t Lovers Revolt Now at Whitespace on June 22 seemed to amplify the urgency of the question in the group exhibition’s title. Curated by The Fuel and Lumber Company, the Birmingham-based curatorial project of artist couple Amy Pleasant and Pete Schulte, the show would have still offered potent critiques of nationalism and closed borders even if its opening hadn’t followed on the heels of two weeks of disturbing headlines describing migrant children being forcibly separated from their parents at the US-Mexico border.

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