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Review: Vesna Pavlović’s eulogy for pictures, “Falls and Folds,” at Whitespace

July 18,2016
ArtsAtl.com
by Rebecca Brantley
View more Vesna Pavlović

For those who studied art history before the adoption of digital images in the classroom, Vesna Pavlović’s Falls and Folds, might be a nostalgic reminder of bygone days or a painful reminder of long lectures, flashcards and tests. (Art history is not, I suppose, everyone’s favorite subject.)

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Art Review : Art History Slides Become Art: Vesna Pavlović at Whitespace

July 8,2016
burnaway.org
by Jordan Amirkhani
View more Vesna Pavlović

Curator and writer Okwui Enwezor in his 2008 text “Archive Fever” states that the discourse of Institutional Critique is changing under our feet.

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Art Review : Happiness Is: Didi Dunphy at Whitespace

June 1,2016
burnaway.org
by Caroline Stover
View more Didi Dunphy

Brightly painted fingernails and glittery stickers on mushrooms are just a few of the fanciful pieces by artist Didi Dunphy in her current exhibition at Whitespace (through June 18).

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Faulkner & Silver: an exploration in Southern identity and generational memory

Feb 9,2016
ArtsAtl.com
by Rebecca Brantley
View more Didi Dunphy

On view at Whitespace through June 18, Happiness Project is a multimedia show by Didi Dunphy that is ambitious in its theme and its scope of materials.

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Art Review : Darkness and Decay: Wendy Given and Ryan Pierce at Whitespace

April 21,2016
Burnaway.org
by Andrew Alexander
View more Wendy Given

Though Wendy Given and Ryan Pierce have parallel attractions to the Gothic beauty of the natural cycles of bloom and decay, their joint exhibition “Nocturne,” on view at Whitespace through May 7, reveals a somewhat imperfect pairing.

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The Depth of Paper: Teresa Cole at Whitespace

March 10,2016
Burnaway.com
by Terri Dilling
View more Teresa Cole

Everyone is familiar with paper, but not necessarily with how it is made. Teresa Cole’s current exhibition, “Depth of Surface,” at Whitespace brings paper to the forefront and will definitely cause you to think more about the methods of creating handmade paper, and better appreciate its delicate textural qualities.

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Faulkner & Silver: an exploration in Southern identity and generational memory

Feb 9,2016
ArtsAtl.com
by Donna Mintz
View more Mimi Hart Silver

On January 30, Susan Bridges of Whitespace Gallery invited William Faulkner scholar Tom McHaney to join Mimi Hart Silver in the gallery for a discussion of Territories/Kingdoms, Silver’s current show of painting and drawing.

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Review: “Territories/Kingdoms” menaces and beckons viewers into darkness

Feb 1,2016
ArtsAtl.com
by Matthew Terrell
View more Mimi Hart Silver

Mimi Hart Silver’s aggressive, violent works beckon the viewer into darkness. There’s something sinister in Territories/Kingdoms at Whitespace.

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200 Words: Morgan Alexander “…between the sea and the sky”

January 28,2016
burnaway.org
By Jerry Cullum
View more Morgan Alexander

Morgan Alexander’s exhibition “…between the sea and the sky,” at Berry College’s Moon Gallery in Rome, Georgia, through February 4, is almost stubbornly determined to be misinterpreted.

Lacking explanatory labels, its transience is easily viewed as permanence. A perfect cube of dandelion seeds held together only by compression and gravity looks as enduring as marble. A bowl made of cast salt looks like alabaster.

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Review: “Print or Projection” Proves to Be Intelligent, Thought-Provoking and Brand New

January 21,2016
ArtsAtl.com
By Donna Mintz
View more Morgan Alexander

A photograph is a record of an exact moment fixed in time and delivered to the present. No matter how fresh or innovative, a photograph is always a backward glance. Nothing portrays this more eloquently than Morgan Alexander’s gorgeous wet plate ambrotypes and tintypes which could only be exactly as they are — each a unique image created without a negative. What they are presents photography at its most ephemeral, though each is ponderous with time and laden with history, making it easy to understand why Alexander thinks of them as sculptural objects.

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