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Art Review: Into the Light: Stephanie Dowda at Whitespace

January 23,2017
burnaway.org
by Brett Levine
View more Stephanie Dowda

At its inception, photography’s goal was simply to capture an image. Over time, photographers and the market became obsessed not only with representation but with technical skill, including questions of the inviolability of the surface and the notion of the pristine print — perfection from emulsion to paper.

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Review: Stephanie Dowda’s spectral photographs humanize grief

January 17, 2017
ArtsAtl.com
by Donna Mintz
View more Stephanie Dowda

There is a spectral quality to Traces, Stephanie Dowda’s show of black-and-white archival prints and contact prints at Whitespace Gallery, and for good reason.

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Review: “Phygital Muse” at Whitespec deals in difficult but timely subjects

December 15,2016
ArtsAtl.com
by Rebecca Brantley
View more Bojana Ginn

“Phygital Muse,” Bojana Ginn’s exhibition at Whitespec through December 31, deals in difficult but timely subject matter — the union of physical and digital realms.

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Into the Domestic Wild: Laura Bell at Whitespace

November 14,2016
burnaway.org
by Orion Wertz
View more Laura Bell

In her exhibition “Run Rampant,” Atlanta artist Laura Bell employs mixed media, primarily consisting of drawings on paper and cut paper, vintage elements, found objects, watercolor, and ink in works depicting animals and natural objects.

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Art Review : Orphic Mysteries: Seana Reilly at Whitespace

September 22,2016
burnaway.org
by Jerry Cullum
View more Seana Reilly

Seana Reilly’s new Whitespace exhibition “Docking on the Orphic Shore” bears a title that might lead the classically educated among us to expect mystical initiation—or at least the story of a creative personality who has been to Hell and back without accomplishing the goal.

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Art Review : In the Garden of Bosch and Cullum at Whitespace

August 29,2016
burnaway.org
by Rebecca Brantley
View installation shots of this show

Five hundred years have passed since the Netherlandish painter Hieronymus Bosch died. To mark the occasion, an exhibition was held this year in Bosch’s hometown, ’s-Hertogenbosch.

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Review: “The Garden of Unearthly Delights” rises to the occasion with love, humor and creativity

August 17, 2016
ArtsAtl.com
by Catherine Fox
View installation shots of this show

Forget Dali’s melting timepiece, the mystery of Mona Lisa’s smile or even the grotesque omnisexuality of Ryan Trecartin’s videos. There is no work in the history of art more intriguing, strange and confounding than Hieronymus Bosch’s “The Garden of Earthly Delights.”

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Review: Vesna Pavlović’s eulogy for pictures, “Falls and Folds,” at Whitespace

July 18,2016
ArtsAtl.com
by Rebecca Brantley
View more Vesna Pavlović

For those who studied art history before the adoption of digital images in the classroom, Vesna Pavlović’s Falls and Folds, might be a nostalgic reminder of bygone days or a painful reminder of long lectures, flashcards and tests. (Art history is not, I suppose, everyone’s favorite subject.)

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Art Review : Art History Slides Become Art: Vesna Pavlović at Whitespace

July 8,2016
burnaway.org
by Jordan Amirkhani
View more Vesna Pavlović

Curator and writer Okwui Enwezor in his 2008 text “Archive Fever” states that the discourse of Institutional Critique is changing under our feet.

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Art Review : Happiness Is: Didi Dunphy at Whitespace

June 1,2016
burnaway.org
by Caroline Stover
View more Didi Dunphy

Brightly painted fingernails and glittery stickers on mushrooms are just a few of the fanciful pieces by artist Didi Dunphy in her current exhibition at Whitespace (through June 18).

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Faulkner & Silver: an exploration in Southern identity and generational memory

Feb 9,2016
ArtsAtl.com
by Rebecca Brantley
View more Didi Dunphy

On view at Whitespace through June 18, Happiness Project is a multimedia show by Didi Dunphy that is ambitious in its theme and its scope of materials.

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