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Bill Orisich + Benita Carr’s 4-channel video installation ground.loop consists of three screens of images from the video and lines of poetry projected in the front gallery, and the full video in the back gallery.
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“I opened Whitespace gallery in 2006 after spending 15 years curating pop-up art shows in raw industrial spaces in Atlanta, Georgia.Today, the gallery represents close to 50 national and international artists and has garnered attention from the American Institute of Architects (AIA), local NPR affiliate WABE, Atlanta Magazine and Creative Loafing.”
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1:21: Lois Reitzes talks with artist Nancy Floyd, who has been photographing herself since 1982. Those photographs are make up her series “Weathering Time,” now on view at White Space.
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Photography’s relationship to time is arguably its greatest puzzle and source of fascination – the inconstant ways that photographs cause us to imagine time, and challenge our perception of time.
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Atlanta-based artist Nancy Floyd has been photographing herself first thing in the morning in her home since 1982. Her new exhibition Weathering Time at Whitespace Gallery through December 2 is a photographer’s record of documenting her life over the course of 35 years.
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Amy Pleasant’s Writing Pictures and Hannah Israel + Sarah Hobbs’ A Handful of Dust, both at Whitespace through October 28, are ways of categorizing things in order to make sense of them. In both cases, the sense being made is far from obvious, but the beautiful elusiveness of the art objects is intellectually and emotionally seductive.
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Since moving to the United States from Serbia in 2002, Bojana Ginn has captured the imaginations of innumerable art lovers, gallerists and scientists alike with her two- and three-dimensional ephemeral works that explore issues on the forefront in the realms of science and mathematics — the ethics of bioengineering, meddling with the human genome and developments in artificial intelligence.
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Atlanta’s arts community gathered at The Museum of Contemporary Art of Georgia for the organization’s annual announcement of its Working Artist Project winners for 2017.
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Bojana Ginn’s Infinite Body, at Whitespace through May 13, ought to be experienced as an extraordinarily beautiful exhibition first and foremost. The reasoning behind the beauty takes us into intellectual territory that requires a bit of a journey to fathom.
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“At midnight in the museum hall/ The fossils gathered for a ball,” wrote Ogden Nash in one of his mordant little verses. As the news murmurs of extinctions on a global scale, “Ancient Art Objects” comes as a well-timed fossil’s ball.
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There are few art spaces in Atlanta lovelier on a summer evening than Whitespace, in its 1893 carriage house with a dreamy patio and gardens. The opening of “Luminous Animals,” a group show featuring nearly a dozen artists from Zeitgeist gallery in Nashville, happened to land on a particularly warm and clear night.
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