Category Archives: News

Trevor Reese | Pyrrhic Victory

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Art Review: Forced Error: Trevor Reese’s “Pyrrhic Victory” at Whitespec

April 27,2017
burnaway.org
by Nicholas Adams
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In his latest installation, Pyrrhic Victory, the Atlanta- and Savannah-based artist Trevor Reese manages to transform Whitespec, the broom-closet experimental art space at Whitespace gallery, into a tonally saturated cloister that forces viewers to confront their inalienable physicality.

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Bojana Ginn in her studio

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Teresa Cole | The Translated Mark

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Review: “The Translated Mark” explores repetition, technical innovation and communication

March 16,2017
ArtsAtl.com
by Rebecca Brantley
View more Teresa Cole

The Translated Mark at Whitespace, on view through March 25, coincides with the SGC International Atlanta Print Conference in Atlanta. The five featured artists refer to printmaking processes in their work — some adhering to traditional methods, others straying from conventional techniques.

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Teresa Cole: The Phenomenology of Pattern, laser-printed wool felt.

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Stephanie Dowda | Traces

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Art Review: Into the Light: Stephanie Dowda at Whitespace

January 23,2017
burnaway.org
by Brett Levine
View more Stephanie Dowda

At its inception, photography’s goal was simply to capture an image. Over time, photographers and the market became obsessed not only with representation but with technical skill, including questions of the inviolability of the surface and the notion of the pristine print — perfection from emulsion to paper.

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Stephanie Dowda, Hospital Nights, 2016; gelatin silver contact print, 10 by 10 inches.

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Review: Stephanie Dowda’s spectral photographs humanize grief

January 17, 2017
ArtsAtl.com
by Donna Mintz
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There is a spectral quality to Traces, Stephanie Dowda’s show of black-and-white archival prints and contact prints at Whitespace Gallery, and for good reason.

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Stephanie Dowda: Extinct Constellation Alter, 40

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Laura Bell | Run Rampant

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Into the Domestic Wild: Laura Bell at Whitespace

November 14,2016
burnaway.org
by Orion Wertz
View more Laura Bell

In her exhibition “Run Rampant,” Atlanta artist Laura Bell employs mixed media, primarily consisting of drawings on paper and cut paper, vintage elements, found objects, watercolor, and ink in works depicting animals and natural objects.

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Laura Bell, Root (Boar), pen and ink on paper, 37½ by 30½ inches.

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Seana Reilly | Docking on The Orphic Shore

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Art Review : Orphic Mysteries: Seana Reilly at Whitespace

September 22,2016
burnaway.org
by Jerry Cullum
View more Seana Reilly

Seana Reilly’s new Whitespace exhibition “Docking on the Orphic Shore” bears a title that might lead the classically educated among us to expect mystical initiation—or at least the story of a creative personality who has been to Hell and back without accomplishing the goal.

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installation shot of docking

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Garden of Unearthly Delights | curated by Jerry Cullum

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Art Review : In the Garden of Bosch and Cullum at Whitespace

August 29,2016
burnaway.org
by Rebecca Brantley
View installation shots of this show

Five hundred years have passed since the Netherlandish painter Hieronymus Bosch died. To mark the occasion, an exhibition was held this year in Bosch’s hometown, ’s-Hertogenbosch.

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Ali Norman's, Dreamgates: Welcome Me Home Again mixed media work

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Review: “The Garden of Unearthly Delights” rises to the occasion with love, humor and creativity

August 17, 2016
ArtsAtl.com
by Catherine Fox
View installation shots of this show

Forget Dali’s melting timepiece, the mystery of Mona Lisa’s smile or even the grotesque omnisexuality of Ryan Trecartin’s videos. There is no work in the history of art more intriguing, strange and confounding than Hieronymus Bosch’s “The Garden of Earthly Delights.”

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the distractions:acrylic painting and collage paper on canvas

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