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Education
2007 MFA, Visual Arts, School of Visual Arts, Columbia University, New York, USA
2002 BFA, Cinematography, Faculty of Dramatic Arts, University of Belgrade, Serbia
PROFESSIONAL AFFILIATIONS
College Art Association, USA
Southeastern College Art Conference, USA
Society for Photographic Education, USA
Association of Applied Arts, Serbia
SOIL Artist Run Gallery, Seattle, WA, USA (2007-2009)
SKART Artist Collective, Belgrade, Serbia (1990-1999)
Solo or Two-Person Exhibitions
2013
REAL IMAGES, Seed Space, Nashville, TN, USA
Fabrics of Socialism, Whitespace Gallery, Atlanta, GA, USA
PROJECTED IMAGES, Serbian Cultural Center, Paris, France
VESNA PAVLOVIC, Salon of the Museum of Contemporary Art, Belgrade, Serbia
2012
VESNA PAVLOVIC: SEARCH FOR LANDSCAPES, Center for Cultural Decontamination, Belgrade, Serbia
VESNA PAVLOVIC, Zeitgeist gallery, Nashville, TN, USA
VESNA PAVLOVIC, G Fine art Gallery, Washington, DC, USA
HIDDEN NARRATIVES, With Maria Finn, BKS Garage, Royal Danish Academy of Fine Art, Copenhagen, Denmark
2011
UNTITLED, 12th ISTANBUL BIENNIAL, Istanbul, Turkey
HIDDEN NARRATIVES, With Maria Finn, curated by Annette Schemmel and Mika Hannula, RAUM 58, Munich, Germany
URBAN LANDSCAPES: IN AND OUT OF THE MARGINS, Trahern Gallery, Austin Peay State University, Clarksville, TN, USA
VESNA PAVLOVIC: PROJECTED HISTORIES, Frist Center for the Visual Arts, Nashville, TN, USA
2010
SEARCH FOR LANDSCAPES, Mylos, Photobiennale 2010, Thessaloniki, Greece
VESNA PAVLOVIC: TRANSPARENCIES, Space 204 Gallery, Vanderbilt University, Nashville, TN USA
SEARCH FOR LANDSCAPES, with Nicholas Nyland, SOIL Gallery, Seattle, WA, USA
2009
WOMEN IN BLACK, 4th PITCHWISE FESTIVAL, Historic Museum of Sarajevo, Bosnia and Herzegovina
PATCH DYNAMICS: SIX NEW INVASIONS TO THE FIELD, Curated by Yoko Ott and Scott Lawrimore, Lawrimore Project Gallery, Seattle, WA, USA
2007
DISPLAY, DESIRE, G Fine Art, Washington DC
2006
COLLECTION/KOLEKCIJA, Gallery Fusebox, Washington DC
2005
WATCHING THE SACRAMENTO KINGS, Curated by Scott E. Shields, Crocker Art Museum, Sacramento, USA
2003
SCULPTURE GARDENS, Gallery Fusebox, Washington DC
WATCHING 02, Partisan Basketball Club, Belgrade Summer Art Festival, Serbia and Montenegro
WATCHING 01, Salon of the Museum of Contemporary Art, Belgrade, Serbia and Montenegro
2002
HOTELS, Museum of History of Yugoslavia, Belgrade, Yugoslavia, Gallery Fusebox, Washington DC
WOMEN IN BLACK, Goethe Forum Munich, St.Oswald-Kirche, Regensburg, Germany
AN IDYLL ON THE BEACH, Artget Gallery, Belgrade, Yugoslavia
2001
MOSCOW IN MOSCOW, Hotel Moscow, room 124, Belgrade, Yugoslavia
THE LAST DECADE, YEARS 21-31, with Goranka Mati?, CZKD, Belgrade, Yugoslavia
1999
WAR ROOM, 19 Steps Gallery, House of Youth, Belgrade, Yugoslavia
LITTLE THINGS… House of Youth Gallery, Belgrade, Yugoslavia, Galerie Le Lys, Paris, France
Group Exhibitions
2013
ALIVE ARCHIVE, Paço das Artes, São Paulo, Brazil (upcoming)
SPECTATOR SPORTS, Museum of Contemporary Photography, Chicago, IL, USA
ARCHETYPE DRIFT: A Call for New Methods of Photographic Making, Johalla Projects, Chicago, IL, USA
2012
BUCHAREST BIENNALE 5, Bucharest, Romania, Curated by Anne Barlow Art in General, NY)
FROM THE CLOSED WORLD TO THE INFINITE UNIVERSE, Le Quartier Center for Contemporary Art, Quimper, France; curated by Marc Bembekoff (Palais de Tokyo, Paris)
2011
SPACESHIP YUGOSLAVIA, THE SUSPENSION OF TIME, NGBK, Berlin, Germany
BELGRADE – MOMENTS IN ARCHITECTURE, Vienna Insurance Group, Vienna, Austria
LEFT BEHIND: SELECTED GIFTS FROM THE HEATHER AND TONY PODESTA COLLECTION, The Phillips Collection, Washington DC, USA
UNDER THE INFLUENCE, 11th ANNUAL PINGYAO INTERNATIONAL PHOTOGRAPHY FESTIVAL, Pingyao China; invitational exhibition with photography students Lauren Richman, Nikky Okoro, and Jonathan Gendzier
THE SALON PHOTO PRIZE 2011, Matt Roberts Arts Gallery, London, UK; Jurors: Simon Baker (Curator of Photography, Tate Britain), Stefanie Braun (Curator, The Photographers’ Gallery), Charlotte Cotton (Creative director, National Media Museum), Tim Clark (Editor-in-chief, 1000 Words Photography Magazine)
THE A.I.R. GALLERY 9TH BIENNIAL, Brooklyn, NY, USA; Curated by Alexandra Schwartz (Montclair Museum of Contemporary Art, New Jersey)
TOPOI. PHOTOBIENNALE. SITES, Museum of Photography, Thessaloniki, Greece
2010
SEARCH FOR LANDSCAPES, with Nicholas Nyland, SOIL Gallery, Seattle, WA, USA
WHAT ARE THEY DOING IN THERE? Recent Work by the Department of Art Fine Arts Gallery, Cohen Memorial Hall, Nashville, TN, USA
RIGHT TO ASSEMBLE, Curated by Lain York, Zeitgeist Gallery, Nashville, TN, USA
LAND OF PROMISES, CONTEMPORARY SERBIAN PHOTOGRAPHY, Curated by Ana Adamovi?, Pecs, 2010 European Culture Capital, HungaryA
THE LAST KODACHROME, Kodachrome Juried Portfolio Show, RayKo gallery, San Francisco, CA
2009
ON NORMALITY: ART IN SERBIA, Curated by Carinthian Museum of Modern Art/MMKK, Klagenfurt, Austria
ON NORMALITY: ART IN SERBIA, Katzen Arts Center, American University Museum, Washington DC
LAND OF PROMISES, CONTEMPORARY SERBIAN PHOTOGRAPHY, Curated by Ana Adamovi?, Galerie ArtPoint, Kultur Kontakt, Vienna, Austria
LAND OF PROMISES, CONTEMPORARY SERBIAN PHOTOGRAPHY, Curated by Ana Adamovi?, Espace Apollonia, Strasbourg, France
2008
OST LOCKT, Galerie Roemer Apotheke, Zurich, Switzerland
DE-COLLECTING, curated by Annette Schemmel, FRAC Nord Pas De Calais, Dunquerque, France
DE-COLLECTING, curated by Annette Schemmel, Idem+Arts, Maubeuge, France
DE-COLLECTING II, curated by Annette Schemmel, De Garage Mechelen, Belgium
2007
LAND OF PROMISES, CONTEMPORARY SERBIAN PHOTOGRAPHY, Curated by Ana Adamovi? Serbian Cultural Center, Paris, France
HISTORY STARTED PLAYING WITH MY LIFE, Curated by Erzen Shkololli, The Israeli Center for Digital Art, Holon, Israel
2006
ELEMENTS OF NORMALITY, Cultural Centre Babel, Utrecht, Netherlands
2005
NORMALITY. ART IN SERBIA 1989-2001, Museum of Contemporary Art, Belgrade, Serbia
AKTUELLE FOTOGRAFIE AUS SERBIEN, Galerie Fotohof, Salzburg, Austria
SITUATED SELF: CONFUSED, COMPASSIONATE, CONFLICTUAL, Curated by Branislav Dimitrijevi? and Mika Hannula, Tennis Palace Art Museum, Helsinki, Finland
SITUATED SELF: CONFUSED, COMPASSIONATE, CONFLICTUAL, Curated by Branislav Dimitrijevi? and Mika Hannula, The Museum of Contemporary Art Belgrade, Serbia and Montenegro
WELCOME TO BASKETBALL LAND, 1947-2004, Pavillion Cvijeta Zuzoric, Belgrade, Serbia and Montenegro
2004
REAR VIEW MIRROR, Curated by Elizabeth Fisher, Kettle’s Yard, University of Cambridge, Cambridge, UK
MEDITERRANEAN, BETWEEN REALITY AND UTOPIA, Curated by Lisa Le Feuvre, Photographers’ Gallery, London, UK
ALMOST REAL, Centraal Museum, Utrecht, The Netherlands
2003
ASPECTS OF BALKAN PHOTOGRAPHY, State Museum of Contemporary Art Thessaloniki, Greece
POST COLONY, Curated by Jelena Vesi?, Artist Colony Kalenic, Serbia and Montenegro
2002
RETROSPECTIVE, OCTOBER SALON 1960-2002, Museum of May 25, Belgrade, Yugoslavia
RECONSTRUCTIONS, IV BIENNIAL OF CONTEMPORARY ART, Cetinnie, Montenegro
NEW BALKAN PHOTOGRAPHY, Arts Workshop, Thessaloniki, Greece
WOMEN IN BLACK, Heinrich-Boell Foundation, Berlin, Germany
YU PHOTO ART, Museum of History of Yugoslavia, Belgrade, Yugoslavia
THE LAST DECADE, INTER FOTO, III INTERNATIONAL FESTIVAL OF PHOTOGRAPHY, Moscow, Russia
2001
KONVERZACIJA, Curated by Branislav Dimitrijevi? and Dejan Sretenovi?, Museum of Contemporary Art, Belgrade, Yugoslavia
42ND OCTOBER SALON, The Belgrade City Museum, Sekuli? Legacy, Belgrade, Yugoslavia
FREEDOM AND VIOLENCE, Curated by Branislav Dimitrijevi?, Krolikarnia, Warsaw, Poland
DOSSIER SERBIEN, Curated by Ana Miljani? Museum of 25th May, Belgrade, Yugoslavia, Akademie der Bildenen Kunste, Vienna, Austria
DOSSIER SERBIEN, Curated by Ana Miljani?, Akademie der kunste, Berlin, Germany
2000
INNOCENT LIFE, Curated by Lolita Jablonskiene, Center for Contemporary Art, with Zoran Naskovski, Vilnius, Lithuania
MOVING WALLS, The Open Society Institute, New York, NY
TANDEM PROJECT/PASSAGES, DCAC Art Center / Signal 66 Art Space, Washington DC
A PHOTOGRAPHED PLACE, Curated by Jasna Tijardovi?, The Museum of Contemporary Art Salon, Belgrade, Yugoslavia
1999
STIRRING, STREAMING, DREAMING, Curated by Eva Ursprung, Forum Stadtpark, Graz, Austria
GARDEN OF EROS, Curated by Victoria Combalia and Jean Jacques Lebel, with Zoran Naskovski, Palau de la Verreina, Barcelona, Spain
GARDEN OF EROS, Curated by Victoria Combalia and Jean Jacques Lebel, with Zoran Naskovski, Bergen Kunstmuseum, Bergen, Norway
UNION – REUNION /LOVE, LUST AND ROMANCE, The Contemporary, Atlanta, GA
INTER FOTO, V INTERNATIONAL FESTIVAL OF PHOTOGRAPHY, Moscow, Russia
Reviews and Press
2011
Raybun, Alyssa, Community Supported Art, Nashville Arts Magazine, December 2011
Kavass, Veronica, A new project allows Nashvillians an intriguing opportunity to buy art they’ve yet to see, Sight Unseen, The Nashville Scene, October 27, 2011
Hoffmann, Jens, Interview, Untitled, 12th Istanbul Biennial, The Biennial Guide
Tan, Pelin, About “Untitled”: 12th Istanbul Contemporary Biennial, PIPELINE, Hong Kong, China, Taiwan, Issue 24, November 2011, exhibition review with reproduction of images
Castro, Carolina, Una Bienial Politicca que tambien poetica, ARTISHOCK, Revista de arte contemporaneo, September 27, 2011,
Graves, Jen, Seeing Double, Stolen Gold, an Upside-Down Tank, a Haunted Warren, and Infestation of Consumer Products, and Other Signs of Global Unrest at the Istanbul and Venice Biennials, The Stranger, November 2, 2011, exhibition review
Edwards, Susan, 12th Istanbul Biennial, Nashville Arts Magazine, november 2011, exhibition review and images reproduction with a cover story of my participation in the biennial
Watts, Patricia, Istanbul Biennial, Biennial as a Curatorium, Art.net magazine, exhibition review with image reproduction;
Estes, Sara, Projected Histories, Number Magazine # 68, exhibition review with image reproduction
Christy, Matt, Projected Histories, Art Papers, September-October 2011, Editor’s Pick, exhibition review with images reproduction
Nolan, Joe, Best of Nashville 2011, : Arts, Music & Entertainment Writers’ Choice,
Jones, Michelle, In Frist exhibition, Vanderbilt photography professor explores the art of looking, The Tennessean, July 22, 2011, exhibition review with image reproduction
Novotny, Mark, Ausstellung im Ringturm: Blockfrei und farbenfroh, Der Standard, Austria, July 22, 2011, exhibition review with image reproduction
Nolan, Joe, At the Frist Center’s new photography exhibit, what you get is rarely what you see,The Nashville Scene, June 23, 2011, exhibition preview with image reproduction
2010
Gould, Mark, Mama Don’t Take My Kodachrome Away! Juried Porfolio Show at Rayko PhotoCenter Through January 21st, Associated Content.
Bowers, Kate, They Give Us Those Nice Bright Colors, SF Weekly, show announcement and review
Reframing Photography, Theory and Practice, Routledge, UK, Online resource for
photography, work featured as an artist interview in Artists’ gallery section of the website, December.
Jones, Michelle, Zeitgeist’s Right to Assemble exhibit encourages interaction between artists,
Tennessean.com, August 1, article and show review
Nashville Scene’s 2010 Best of Nashville, Arts and Entertainment, Best Gallery Series:
Right to Assemble at Zeitgeist Gallery, December, show review
Nolan, Joe, Right to Assemble Part 3 at Zeitgeist, Nashville Scene, August 21, show review
Sanchez, Marissa, Decoys, Search for Landscapes (exhibition catalogue text)
Vetkamp, Joey, Search for Landscapes, Best Of Blog, March, 6, show review
Graves, Jen, The Disturbing, Rich Banality of Tourist Pictures, show review, The Stranger magazine and blog, April 1, 2010, show review.
2009
Dietsch, Deborah K., Serbian perspectives; Mixed reactions to Balkan conflict at Katzen Arts,
show review, The Washington Times, May 17, 2009, show review with reproduction of work
Bauer, Marina, Promised Land in Vienna, Politika Online, 06.10.2009, show review
Shedlmayer, Nina, A Question of Location, Land of Promises, Contemporary Serbian Photography, show review, Galerie ArtPoint, Vienna, Art Magazine, 09.02.09, show review
Shimp, Rachel, Lawrimore’s “Patch Dynamics”, a Fresh and Exciting Threat to the City’s Art Scene, show review, The Seattle Times, 01/09/2009.
2008
Patch Dynamics – Six New Invasions to the Field, Daily Serving, An International Forum for Contemporary Visual Arts, 12/30/2008, show review.
Schemmel, Annette, Seen Behind the Iron Curtain, Vesna Pavlovic’s “Collection/Kolekcija”, in
decollecting, Exhibition catalogue text, Edition FRAC Nord-Pas de Calais, December
Lawrimore, Scott and Ott, Yoko, Patch Dynamics, Six New Invasions to the Field, exhibition press release, Lawrimore Project gallery, Seattle, WA, USA, December
Liu, Marian, Our Top Spots for Art – and Art for Spot, The Seattle Times
2007
Dawson, Jessica, Dark Displays of the American Dream, show review, Washington Post, June 9, show review with reproduction of work
2006
Howell, George, The Other Side of Events, The Photography of Vesna Pavlovic, Art Papers, May-June, artist interview with reproductions of work
Holert, Tom, The New Normal, On Contemporary Art in Belgrade, show review, Art Forum, February, show review with reproduction of work
2005
Dimitrijevi?, Branislav, The Last Decade: Art, Society, Trauma and Normality, in On Normality,Art in Serbia, 1989-2001, Museum of Contemporary Art, Belgrade, Serbia and Montenegro
Shields, Scott A. Introduction to the Watching Project, in Watching the Sacramento Kings
(catalogue text)
Hannula, Mika, Learning How to Lose, in Situated Self, Confused, Compassionate and Conflictual, Belgrade, Helsinki, Finland (catalogue text)
Vesi?, Jelena, No More Reality, Crowd and Performance: Re-enactment, Public Space and
Collective Utopia, The Version Magazine, Vol. 5, article with reproduction of work
2004
Fisher, Elizabeth, Review Mirror, Kettle’s Yard, University of Cambridge, Great Britain (catalogue text)
Le Feuvre, Lisa, Mediterranean, Between Reality and Utopia, GREAT magazine No 55, Photographers’ Gallery
Mark Wilsher, Rearview Mirror, Exhibition review, markwilsher.com, show review
Howell, George, Sculpture Gardens, show review, Art Papers, January-February, show review with reproduction of work
2003
Tupanjac, Vladimir, Watching 01, Praesens, Central European Contemporary Art Review No 2, show review with reproduction of work
Gopnik, Blake, Not Your Garden – Variety Art, show review, The Washington Post, September 28
Vesi?, Jelena, Sculpture Gardens, essay, invitation card, September
Tupanjac, Vladimir Watching 01, catalogue text, January
2002
Tupanjac, Vladimir, The Beauty of the Neglected, show review, Reporter magazine, September 10
Phillips, Christopher, Reading Rooms, essay, inctiation card, April
Dixon, Glenn, Guaranteed Late Arrival, show review, Washington City Paper, May 17
Miti?, Boris, Time-out Catharsis, show review, Reporter magazine, February 4
Dawson, Jessica, Hotels, show review, Teme Celeste
2001
Radi?, Nenad, Apt. # 3, (catalogue text), 42nd October Salon
Nuridsany, Michel, Belgrade, Bambi est mort, show review, Le Figaro, January 12
Salzirn, Tatiana, Innocent Gaze?, show review, Imago No 12, Summer
Dimitrijevi?, Branislav, Text About Artists, show review, Ars Danubiana (catalogue)
Velimir ?urgus Kazimir, Album for Memory, show review, REFOTO magazine No 6, August
Dragi?evi?-Šeši?, Milena, The Art in Protest, The Last Decade (book)
2000
Tijardovi?, Jasna, A Photographed Place (catalogue text)
Holler, Herwig G. In erwartung des postpessimismus, show review, Springerin
Dawson, Jessica, Cream and Sugar With That?, show review, Washington City Paper, June 16
Dimitrijevic, Branislav, Innocent Life (catalogue)
1999
Riding, Alan, In Barcelona, Savoring Eroticism and Its Artists, show review, New York Times
November 3
Combalia, Victoria, On Eroticism of the Nineties, in Garden of Eros, exhibition catalogue
Lebel, Jean-Jacques, First of All the Gods, Eros was Dreamed, Garden of Eros (catalogue text),
1998
Prodanovi?, Mileta, In Interspace between “High” and “Underground” Art, in Art at the
End of the Century book, Michel Nuridsany, Exil et Nomadisme, Le Figaro, September 30
De Leon, Eloise, Creating Art in the Balkans, part 2, Art Changes / In Motion Magazine, February 17
Racanovi?, Svetlana, Trans Over America, show review, Vreme, August 29
Bjelica, Estela, Photography of the Nineties, Art at the End of the Century, book
Bird, Cathy, Love, lust and romance, Nexus gets sexed up for the Art Party ’98, show review,
Creative Loafing, September 12
RESEARCH GRANTS RECEIVED
2011
CONVERSATIONS, Vanderbilt University International Office Project Development Grant, in collaboration with School of Communication and Art, USP, Brazil,
Vanderbilt University, Nashville, TN
2010
ART, POETICS, POLITICS, Vanderbilt University International Office Exploratory grant in collaboration with School of Communication and Art, USP, Brazil, Vanderbilt University, Nashville, TN
2009
GAP, ARTIST TRUST GRANT, Seattle, WA
2006
DRAGOMIR NICOLITCH TRUST GRANT, San Rafael, CA
SCHEPP FOUNDATION GRANT, New York, NY
ARTHUR FOUNDATION GRANT, New York, NY
AGNES MARTIN SCHOLARSHIP, Columbia University, New York, NY
2005
GLASIER SCHOLARSHIP, Columbia University, New York, NY
2002
WATCHING PROJECT RESEARCH GRANT, Ministry of Culture and Media of Republic of Serbia and the City Council Of Belgrade, grant, Serbia and Montenegro
HOTELS RESEARCH GRANT, Ministry of Culture and Media of Republic of Serbia, and Tourist Organization of Serbia
1999
CROSSOVER PROJECT, Trust for Mutual Understanding grant New York, NY
L’ORIGINE DU MONDE/ WHITE LIGHT-WHITE HIT RESEARCH GRANT, Belgrade City Council for the Arts, Serbia
INVITED PRESENTATIONS
2013
Visiting Artist Talk, Watkins College of Art, Film & Design, Nashville, TN, USA
Visiting Critic, Austin Peay State University, Clarksville, TN, USA
Visiting Artist Talk, Center for Photography, Belgrade, Serbia
2012
Visiting Critic, Photo-media, University of Washington, School of Art, Seattle, WA, USA
Visiting Critic, Photography and Film Department, Virginia Commonwealth University School of the Arts, Richmond, VA, USA
Visiting Artist Talk, “Photographic Moment”, Photography Department, Ernest G. Welch School of Art & Design, Georgia State University, Atlanta, GA, USA
Visiting Artist Talk, “Photographic Moment”, School of Communications and Art, University of São Paulo Brazil
Visiting Artist Talk, “Hidden Narratives”, Faculty Library of the Humanities, within “Negotiating (In)visibilities” conference, University of Copenhagen, Denmark
Visiting Artist Talk, Watkins College of Art, Film & Design, 4D Design class, Nashville, TN, USA
Visiting Artist Talk and Workshop, “Photographic Installation”, Archer Gallery, Interdisciplinary Arts, Clark College, Vancouver, VA, USA
2011
Colloquium on Tourist Photography, Raum 58 Gallery, with Maria Finn, Annette Schemmel, and Mika Hannula
ARTIST TALK, Beyond Photography, Columbia College Chicago, Interdisciplinary Arts Department, Chicago, IL
Freshman Seminar Lipscomb University, Nashville, TN
ARTIST PERSPECTIVE: Vesna Pavlovi?, Frist Center for Visual Arts, Nashville, TN
ARTIST TALK, Tyler School of Art, The Architecture Department, The Temple University, Philadelphia, PA
2010
ARTIST TALK, School of Communication and Art, University of Sao Paulo, Sao Paulo, Brazil
HOTELS AND COLLECTION/KOLEKCIJA, Modernism in Yugoslavia: Architecture, Politics, and Everyday class, Yale School of Architecture, New Haven, CT
ON PHOTOGRAPHY’S EXPANDED FIELD, ARTIST TALK, Western Washington University, Bellingham, WA
ON PHOTOGRAPHY’S EXPANDED FIELD, ARTIST TALK, Thinking Out of the Lunch Box series, Nashville Public Library, Conversations with David Wood, Nashville, TN
2009
PROJECTIONS: WORDS WITHOUT PICTURES, Artist Presentation and panel discussion, Henry Art Gallery, Chair: Sara Krajewski, Associate Curator, Seattle, WA
2007
ARTIST TALK, UNIVERSITY OF PUGET SOUND, Art Department, Guest critic, Tacoma, WA
2003
SCULPTURE GARDENS, with Jelena Vesic, Corcoran College of Art, Washington DC
2002
THE LAST DECADE, Inter Foto, VIII International Festival of Photography, Moscow, Russia
1999
VISITING ARTISTS PROGRAM, Corcoran College of Art, Washington DC
ARTIST TALK, Maine Photographic Workshops, Rockport, MN
ARTIST TALK, Georgia State University, Atlanta, GA
PUBLISHED PORTFOLIOS
2012
Liceulice Magazin # 13, 2012, Women in Black photographs, portfolio
Artist Portfolio, Plum Velvet # 5, Hidden Narratives, Ed. Maria Finn, Copenhagen, Denmark
2011
SEARCH FOR LANDSCAPES, THOUGHTS ON TRAVEL, PHOTOGRAPHY, AND OBSOLESCENCE OF TECHNOLOGY, Art Art Zine, online magazine, paper
2010
ARTIST PORTFOLIO, VESNA PAVLOVIC: FOTOGRAFIJA ARHITEKTURE: PALATA FEDERACIJE
2004-05., FORUM, ?asopis Saveza arhitekata Srbije i Društva arhitekata Beograda, # 55, 2010
REFRAMING PHOTOGRAPHY, Authors: Rebekah Modrak and Bill Anthes, Routledge, UK.
2009
PLUM VELVET # 4, Every Landscape Tells a Story, Ed. Maria Finn, Copenhagen, Denmark
2007
ARTIST PORTFOLIO, Camera Austria magazine, No 99, September
2002
AN IDYLL ON THE BEACH, Artist Portfolio, KATALOG, Vol.14, No 3, Fall issue
2001
REFOTO MAGAZINE, No 6, August
DAS GEHEIMNIS DES HOTELS MOSKWA, Die Zeit Magazine, Hamburg, Germany, March 1
2000
WILLKOMMEN IM BELGRAD!, Die Zeit Magazine, Hamburg, Germany, October 26
CROSSOVER, Word Magazine No 59, Belgrade, Serbia, September
1999
HERZLICH WILLKOMMEN IM HOTEL HYATT BELGRAD, Die Zeit, Hamburg, Germany, May 12
HERZLICH WILLKOMMEN IM HOTEL HYATT BELGRAD, Bastard Magazine Zagreb, Croatia, May-July
PUBLICATIONS
2005
OFFICE TASTE, Book, with Casey Smith, Samizdat, Belgrade, Serbia and Montenegro
2004
THE BOOK PROJECT, Book, European Cultural Foundation, Amsterdam, The Netherlands
2002
WOMEN IN BLACK, Book, Women in Black, Belgrade, Yugoslavia
2001
AN IDYLL ON THE BEACH, Book, Samizdat B92, Belgrade, Yugoslavia
THE LAST DECADE, Book, Media Center, Belgrade, Yugoslavia
CONFERENCE PRESENTATIONS
2011
Panel chair, panel title: “Conversations: Sculpture”, Text and Texture, SECAC Annual
Conference, Savannah College of Art and Design, Savannah, GA
Speaker, Image Makers category, paper title: “Vesna Pavlovic: Anthropological Studies, Society for Photographic Education national conference, Atlanta, GA
2010
Panel chair, panel title: “Conversations with Contemporary Artists: Photography”, SECAC/MACBA Annual Conference, University of Virginia, Richmond, VA
Panelist, paper title: “Search for Landscapes”, panel: “ Cartographies of Seduction,
Devotion”, Tourism and Seductions of Difference Conference, Culture Research Network,
Lisbon, Portugal
Artist presentation, title: “Transparencies”, Society for Photographic Education South Central Conference, University of Arkansas, Fayetteville, AR
2009
Panelist, paper title: “Extended Photography Practice”, panel title: “Newest Generation of Artists Educators”, SECAC Annual Conference, Mobile, AL
GALLERY REPRESENTATION
G Fine Art Gallery, Washington DC
Zeitgeist Gallery, Nashville, TN
whitespace, Atlanta, GA
HONORS AND AWARDS
2012
Art Matters Foundation Grant, New York, NY, USA
US Embassy Belgrade Travel Grant, Belgrade, Serbia
City of Copenhagen Artist in Residence Award, Copenhagen, Denmark
Tennessee Arts Commission Professional Support Grant, Nashville, TN, USA
Undergraduate Research Supervision Grant, Vanderbilt University, Nashville, TN, USA
Summer Stipend, Vanderbilt University, Nashville, TN, USA
2011
EMERGENCY GRANT, Contemporary Art Foundation, New York, NY, USA
TENNESSEE ARTS COMMISSION Professional Support Grant, Nashville, TN, USA
HELENE WURLITZER FOUNDATION OF NEW MEXICO, Artist-in-residency, Taos, NM, USA
2010
CENTRUM ARTIST-IN-RESIDENCY GRANT, Port Townsend, WA, USA
REPRESENTATION AND SOCIAL CHANGE, Robert Penn Warren Center for the Humanities Fellowship, Vanderbilt University, Nashville, TN, USA
2006
NIFCA, NORDIC INSTITUTE FOR CONTEMPORARY ART RESIDENCY, Helsinki, Finland
2004
ARTIST HOUSE RESIDENCY, St. Mary’s College of Art, Maryland, USA
2003
LOCATION ONE ARTIST RESIDENCY, New York, USA
2001
41st OCTOBER SALON AWARD, for series of photographs, Herzlich Willkommen im Hotel Hyatt Belgrad
PUBLIC COLLECTIONS
Phillips Collection, Washington DC
Hirshorn Museum and Sculpture Gardens, Washington DC
National Museum of Women in the Arts, Washington DC
Crocker Art Museum, Sacramento, CA
Trust for Mutual Understanding, New York
Anthony and Heather Podesta Art Collection, Washington, DC
Museum of Applied Arts, Belgrade, Serbia