Whitespace Gallery

Gallery Test

admin — Tue, 15 Nov 2011 22:52:29 +0000

Matt Haffner’s "Just Across the Tracks" opens tonight at whitespace

Susan — Fri, 09 Sep 2011 17:32:00 +0000

Matt Haffner, Talking to Strangers, silver gelatin prints (contact prints), installation dimensions variable

September 9 – October 15, 2011

Opening Reception: Friday, September 9 | 7 PM – 10 PM

Whitespace is pleased to present Just Across the Tracks, Matt Haffner’s first solo show at whitespace gallery. The exhibition consists of a series of photograph portraits, sound recordings, collage works on paper, and a rotating diorama viewed through a camera obscura. All of the pieces depict life in the space between the city and the suburbs with references to Haffner’s personal experiences.

Talking to strangers is the central theme for the collage of portraits covering an entire wall in whitespace gallery. Haffner sought out his subjects in the streets of Atlanta, engaging with the people around him instead of ignoring those passing by as they made their way through the city. He used an older style camera with large film that took a few minutes to make an image. This afforded him the opportunity to start brief exchanges with these individuals while photographing them. This engagement sometimes opened people up to a conversation and to sharing surprising things about themselves. While taking the portraits, Haffner also made sound recordings that play within the gallery. Hearing the stories that his subjects shared and seeing this huge wall of portraits makes one look for the face that told the story. Haffner considers this the most honest work he has made to date.

Sarah Emerson at ELEVATE | Art Above Underground

Susan — Thu, 18 Aug 2011 18:29:00 +0000

August 26 – October 30, 2011

Downtown Atlanta

Opening reception: Friday, August 26 | 5 – 10 PM

Whitespace is pleased to announce Sarah Emerson’s participation in Atlanta’s ELEVATE | Art Above Underground! This sixty-six day long public art exhibition features both art installations and performances from a variety of local, national, and international artists. The project is the result of a collaboration between the City of Atlanta Office of Cultural Affairs Public Art Program and Underground Atlanta, and it is meant to bring attention to both the downtown Atlanta area and the city’s art community. Emerson’s piece, “Zero Mile,” is a vinyl window installation in the heart of downtown. Named after the sign marking the city limit, the piece shows the imagined imagery of post-Civil War Atlanta. The piece is illuminated at night, but it is also visible during the day.

ELEVATE officially opens Friday, August 26, 2011 at 5 PM along the Upper Alabama Street Corridor and surrounding areas in central downtown Atlanta.

Make sure you see Sarah’s piece near the capitol before ELEVATE ends October 30th!

For more information, visit http://elevateatlanta.blogspot.com.


A view of Sarah Emerson’s mural in downtown Atlanta during the day.

A view of Sarah Emerson’s ELEVATE | Art Above Underground piece lit up at night.

whitespace presents "Perpetual Assembly"

Susan — Fri, 05 Aug 2011 17:10:00 +0000

Perpetual Assembly
works by

Seana Reilly
Ann Stewart
Students from the Auburn University architectural program

August 5 – September 3, 2011

Opening Reception: Friday, August 5th | 7:00 PM – 10:00 PM

Whitepsace is pleased to present Perpetual Assembly, which includes exhibitions in both the whitespace main gallery and whitespec. The two exhibitions that each take a focused, process-oriented approach to exploring perception. Architectonic arrangements of line are found throughout the show and ask the viewer to consider his or her relationship to the physical world.

Whitespace gallery houses works by Ann Stewart and Seana Reilly. These two artists are questioning what we know and how we know we know it. The artists share a fascination with cognitive systems, and they explore the nature of existence and knowledge through the medium of graphite.


Seana Reilly, “ResolvingKazimir,” graphite on dibond, 48 x 48 inches

Ann Stewart, Detail of “Perpetual Assembly II,” graphite on paper, 60 x 66 inches

Whitespec shows a series of stop-motion short films created by freshman architecture students from Auburn University’s Foundation Studio. The films fall into one of two categories: the first deals with movement of the human body through space over time, and the second uses popular music to explore visual communication through text and letter forms. Both are fascinating studies of architecture as an accumulation of small pieces into a greater whole, as well as a glimpse into how architects can document and represent their ideas via film.

Auburn University Architectural Students, still from “Beautiful Day” stop motion film

"Metronome" | Not Your Ordinary Opening

Susan — Wed, 22 Jun 2011 19:09:00 +0000

Perhaps it was the conversation about time’s existential implications or about our city’s burgeoning food truck culture or about what in the world was dotting the floor of the gallery, the opening reception of Metronome at whitespace gallery was certainly abuzz with excitement. Featuring artist Michele Schuff’s series of encaustic paintings (please see previous entry for more detail), guests were introduced to her most recent works using three-dimensional cast forms. Schuff captures the invisible process of time through the use of repetitive heat-fused brush strokes and forms, suggesting the metronome as a metaphor for the meditative beat of life’s fleeting moments.

Artist Michele Schuff in front of her piece Big Blue.

A visitor studies Michele Schuff’s encaustic works.

In support, alliance, and promotion of Atlanta’s food truck community, whitespace’s reception for Metronome also welcomed King of Pops, Rattletrap Coffee Truck, and Sugar Coated Radical (SCR). King of Pops came through to cool us down with his specialty pops while Rattletrap kicked it up a notch with some icey caffeinated goodness (and refreshing home made lemonade). The radicals of SCR set up their mobile candy shop to deliver an array of revolutionary sweets, not to mention plenty of sugar coated samples.

Visitors using the QR code to find more information about Michele Schuff and her work.

Metronome is the also the first show to launch the use of Quick Response (QR) codes in the gallery. QR codes have been installed throughout the gallery, enabling viewers to access exclusive artist related content on their mobile devices. Metronome’s codes feature unreleased photo sets of Michele’s works in various states of creation. Laid on foam core, the codes can be found slightly raised off the floor near pieces: 48squares, Big Blue, Oushak, and Reprise. Additional information on QR codes can be found at the gallery’s front desk. Come by and check it out for yourself!

Open until: Saturday, June 23rd

"Metronome" by Michele Schuff at whitespace

Susan — Wed, 08 Jun 2011 21:38:00 +0000

Michele Schuff, “Don’t Go,” Encaustic on panel, 48 x 60 x 4.5″

In Michele Schuff’s exhibition, Metronome, she explores the perception of time and how we measure life’s passing. How long do I have to live? How has my timing influenced every turn of my life? Will I be able to do what I need to before I die?

Michele uses the metronome, a tool traditionally used to set a fixed tempo while practicing music, as a metaphor for keeping time as well as a meditative device; with it one can set a beat or pulse that can become increasingly abstract and therefore has the potential to exist outside of our perception of linear time. This body of work examines the space that is created when one is fully focused on any creative endeavor: where does that state of mind exist? Time can be momentarily suspended in the gap between the beats; collectively these beats and gaps make up a body of work, a life, a collection of lives.

Metronome features a series of encaustic paintings on wood panel created by layer over layer of repetitive brush strokes fused together with heat. The repeated painted lines/phrases/objects are meant to create a textured ‘beat’ and somehow through their pattern and regularity, generate an abstract field of color and sound.

Michele Schuff received her BFA from Wayne State University in Detroit and her MFA from Georgia State University. She is a former Fellow of the Hambidge Center of Creative Arts and Sciences, and the Virginia Center for Creative Arts. Schuff’s work explores themes of light through encaustic painting and three-dimensional cast forms.

Exhibition dates: June 10 – July 23, 2011

Opening reception: Friday, June 10 | 7-10 pm

Gallery hours:               Wednesday – Saturday | 11 am – 5 pm or by appointment

Location:                       814 Edgewood Avenue | Inman Park

Media Contact:             Susan Bridges
                                     www.whitespace814.com
                                     susan@whitespace814.com
                                     p 404.688.1892
                                     c 404.849.8176

"Witch’s Brew" by Adrienne Outlaw

Susan — Thu, 21 Apr 2011 17:38:00 +0000

April 21 – June 4, 2011

Opening Reception: Thursday, April 21 | 7 – 10 pm

Details from the Fecund Series, Mixed Media

Whitespace is pleased to present “Witch’s Brew” featuring the sculptural and video works of Adrienne Outlaw. Outlaw’s interactive exhibition “Witch’s Brew” sheds light on ethical issues created by the rapid advancement of biotechnology and in particular, the rising trend of DIYers growing biological experiments at home. The Fecund Series speaks to the human desire for progress and the possibility of Frankensteinian horrors. She explores the often contentious debate about science, nature and religion and how that impacts the bioethical dialogue. Working with cutting edge scientists, Outlaw selects videos showing the latest advancements in the field of biophysics and makes her own movies of intimate maternal scenes. She places the videos and objects in anthropomorphic specimen cases so that they can be seen but not touched. Some works are fun, elegant and beautiful; others are marred by the recombination process. Viewers become participants in the work when they peer inside a piece and see their reflection.

Adrienne Outlaw shows in museums, public art collections and exhibitions worldwide. She has shown in twelve museum exhibits including two solos shows. A dozen exhibition catalogs and two art books feature her work. She holds an MLAS from Vanderbilt University and a BFA from the School of the Art Institute of Chicago.

New Works by Craig Dongoski

Susan — Sat, 05 Mar 2011 00:41:00 +0000

Whitespace is pleased to present new works by Craig Dongoski in his current gallery exhibition Attack/Decay/Sustain/Release. For this solo exhibition, Dongoski created drawings over-drawings on a variety of substrates including, wood, paper, and printed materials. He also features works derived from his signatures that he used to produce “graphic scores” or non-conventional musical notation. In conjunction with the artwork, Attack/Decay/Sustain/Release features artifacts and ephemera from these processes, along with a video and a sound installation.

Attack/Decay/Sustain/Release, Mixed Media

Craig Dongoski received a BFA from Milliken University and an MFA from the University of South Dakota. He has shown his work across the United States and internationally. Currently, Dongoski resides in Atlanta where he serves as an Associate Professor of Art at Georgia State University.

Exhibition: March 4 – April 16, 2011
Opening Reception: Friday, March 4 | 7 – 10 pm

Gallery Hours | Wed – Sat | 11 am – 5 pm

Whitespace Blog

admin — Mon, 28 Feb 2011 23:00:07 +0000

We will be transferring the blog here to the new site in the next few weeks. In the meantime please visit the Whitespace blog here.

Snapshots From the Opening, " Turn Your Back to the Forest, Your Front to Me"

Susan — Thu, 17 Feb 2011 21:05:00 +0000

Wendy Given’s exhibition, Turn Your Back to the Forest, Your Front to Me, opened to rave reviews in January despite the icy weather. We had a packed house and a great time. In case you could not make it for the opening reception, we have included some images from the event below. There is still time to see the show, but Given’s exhibition is only up for two more weeks. The last day is Saturday, February 26.

Both Burnaway and ArtsCriticATL posted glowing reviews of Given’s works, which explain why this exhibition is a must-see!

Gallery visitor takes a closer peek at the sleeping sparrow in Given’s, “Cubiculum”.

Wendy Given’s photograph, “Wake,” has caught the attention of a visitor.


A whitespace intern and “Of Augur and Auspice: No.5 (From Under the Pillow)”.

Gallery visitors discuss the composition of “By the Boat of Charon”